played by: from disco to jazz and funk, italians have acquired a solid reputation in the making of dance music along the years. those last months seing them firmly back on the blocks, some 20 years after the worldwide domination of the so called spaghetti house!!! what is it then to expect on this 3 tracker? lectrodeep post-disco such as delivered by marcoradi on firefly? abstract phonky house on the shot by upcoming producer mr mama?? synth led deep n sharp tech influenced vibes on the fascinating hidden diva by the likes of tresca aka pastaboys??? who cares as long as its good. and it definitely is...

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

akufen, ricardo, luciano & serafin sowie daniel bell lassen die post abgehen, super repress !!!

sunset diskos is back with an other killer ep from agaric, this time with remixes by no less than camea from clink records

the cult and ultra rare deadbeat classic back in stock

dj support by karotte & laurent garnier !! on the >dog side< pecklar & brauns have created a 15 minute epic - a collision of post-minimal neo-trance - that rides a wave of emotion from beginning to end. the salvation is a piece of music that lifts you up

if you loved give blood then the beatific visions is just as essential. the songs are short, sweet and demand repeat listens. they range from the ridiculous (porcupine or pineapple) to straight up country (if i should die tonight and on your side) to full steam ahead early buzzcocks / wire esque post punk rock (margherita and beatific visions).

for the next release on leftroom ltd we say a warm hello to a.c.r. aka andre crom. andre has recently released a track with his good friend and collaborator tigerskin on liebe detail which did the business across the globe and we are more than sure this ep will do the same!!! label support from pete tong, lee burridge, james zabiela, slam, nic fanciulli, luciano, ivan smagghe...

written & produced by i.minthe. additional rework & production on junior caldera s remix by j.dumas. sound engineering by chab. big bassline shaking away under some tight percussion and an epic counding synth hook, hi-hat driven techno grooves with a fat hypnotic synth loop on top for a post-detroit killer

john tejada rolls out another highly epidemic groover with 'infected' that starts out like a mutilated old school funk break with a guitar-like riff before falling into an unstoppable groove with trademark sharp-cut beats, rumbling bass and mad frizzling sounds. on the flip tejada teams up with justin maxwell for more bouncing electronic goodness with mind-bending sound gimmicks- both sides are simply massive and truly essential

amazing post electro-disco-/ punk filter house, ltd one sided, last copies

cool 4 track ep vinyl compilation with pantytec, ricardo villalobos (cocoon), cabanne, ark & sety !!! top minimal action !!!

brill minimal tracks compilationÓvol 2 !!!

itÕs a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogÕs two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

reissue, 500 copies only

new album from the most danceable post-punk pop band in the uk. limited vinyl edition of 500 copies.

first vinyl reissue with extended inserts, 500 copies. truly unique australian 80s dub/post-punk ep

a post-modern mixtape of 12 microgenres created by the numero group. limited edition red vinyl.

scottish alt/post/progressive-rock outfit midas fall release their fifth studio album, “cold waves divide us” on monotreme records. limited edition of 500 copies on clear with orange & black splatter 180 gram vinyl.

inimitable post-rock outsiders a burial at sea return with “close to home”, a soaring sonic love letter to the places and people that shaped them, the collective’s first new music since the eponymous debut full-length in 2020.

fazi are a post-punk band based in the ancient chinese city of xi’an.

watch out! here comes the third strike from bremen’s noise post-punkers defektdefekt.

deluxxe is a new post punk/new wave band from buffalo, ny.

expanded reissue of the 2019 album from canadian post-punk band actors.

a stellar collection of seven dubwise tracks over 4 sides with a techno and balearic influence.

ein neues, geheimes label, das von einem der angesehensten künstler der szene gegründet wurde, bietet auf seinem ersten release eine einzigartige mischung aus new wave und post-punk.

post punk / experimental

post-grime club sounds from farr, remixed by ciel.

post 1945 contemporary literature: fiction, novels

detroit post punk

file under: coil forever, religious idm, ecstatic classical, post ethnic industrial exotica, erotic trance und bestes album aller zeiten.

2 cd compilation! one year - one album! incl. calvin harris, silk city, gigi dagostino, tom zanetti, jonas blue and many more

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

its a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogs two new albums, post -truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

!!! (chk chk chk) liessen Òshake the shudderÓ von den dance-koryphŠen phil moffa, joakim und matt wiggins produzieren, die 12 tracks featuren eine ganze reihe von vokalistinnen wie lea lea, meah pace, nicole fayu, cameron mesirow und molly schnick. wŠhrend die band, geprŠgt von ihrer post-punk-vergangenheit, immer auf der suche nach frischen sounds ist, bleibt ihr geschmack behaftet im funk und diversen elektronischen dance-styles. die idee zum neuen album entstand bei jam-sessions in barcelona, in den folgemonaten wurden die aufnahmen zu loops geschnitten, aus denen die neuen songs entstanden. zuhause in brooklyn ergoss leadsŠnger nic offer seine vocals Ÿber die disco-breaks seines zimmergenossen. ferner zeigte sich die band diesmal offener bei der verwendung von samples und keyboards.

pilocka krach still means nothing but pilocka noise. sheÕs the charming queen of berlins post techno underground and a true recording & perfoming artist. her new release on her very own imprint greatest hits international is a conceptional framed double vinyl album and a journey diary of her last two years on tour around the globe, with mexico, detroit and her hometown roots in berlin as fixpoints on her neverending agenda. pilocka krach is ãsugar caneÒ & ãthe lost amigosÒ, her band and all at once. her style is pure electro post rave simplicity, where each single sound is either raw sampling cuts or deep growling synthesis. big basslines meet funky grooves and surprising hooks, grooving along with her own voice and a lot of other vocal features, whereever you go. each Ôn everthing gets the room it deserves and mingles alltogether to so much more, than just another stereo sum. never heard an album that dry and that wet at the same time, with an overall fun and jam factor, that is truly touching. she took her original style more than just a few steps further and sharpened her skills in an impressive and real straight forward way of raw funkyness and true storytelling. you canÕt listen to it without moving. pilocka is always surfing the right balance of how much, or better how less it needs, to keep it going, get down to the point of no return and beyond the miracle of repetition.

ltd edition cd box with 12 beautiful post cards ! the best seas are those who have been sailed yet. the most interesting people are those who have not smiled to us yet. the most fascinated sunsets are those which havent emerged on the horizon yet. how can one stare at the world from 20.000 feet high while on board the aircraft and not feel like a small god? all it takes is to close your eyes for a while and rhodes will appear for ever to be there! the awarded dj and radio producer tasos giasiranis is being inspired by the rhodes themed louvre museums exhibition rhodes: a greek island and gateway to the east and creates the 5th installment of the islands official compilation. rhodes inspirational: from east to west. 12 chill out, atmospheric, deep, electronic tracks, many previously unreleased followed by 12 breathtaking carte postale, photographed by stelios kalisperis and nikos brouzakis.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

die erste ausgabe mit dem titel -sherwood at the controls vol.1: 1979-1984- prŠsentiert 14 von sherwood produzierte oder remixte tracks zwischen post-punk, mutant-disco, dub, funk und electro aus der hochphase zwischen 1979 bis 1984. klassiker und raritŠten, cd-erstveršffentlichungen und zwei komplett unveršffentlichte tracks (prince far i, voice of authority ft. congo ashanti roy). alle formate unmixed.